Whitegold winner Professor Neil Brownsword is joining makers across the world to exhibit his work in St Austell.
I am very interested in industrial regions, the industry of China clay production in St Austell and ceramic production in North Staffordshire. For over two hundred years these industries have been intertwined and so I wanted to find a way of connecting them in my work
Neil Brownsword, Professor of Ceramics
A creative clay revolution in St Austell is underway with some of the best makers in the UK and the world, exhibiting artworks in the town famous for its international china clay connections.
Professor Neil Brownsword was awarded Whitegold’s Quartz prize in 2019 and has created two inter-related artworks for the town that will be launched at the Whitegold Festival this coming weekend.
‘Relic’ consists of fragments of porcelain flowers carefully arranged on the surface of the old pan kiln at Wheal Martyn Clay Works, a china clay museum, and ‘Taskscape’ is a film and object installation on show at White River Place, the main retail centre in St Austell.
Through these two artworks Neil explores the entangled histories of St Austell and the Potteries of North Staffordshire, bound together by the mining of china clay and its transformation into ceramics.
‘Relic’ is the culmination of five-years of research during which Neil has archived the incredible hand skills of Stoke-on-Trent china flower maker Rita Floyd. He has captured every stage of the hand modelling involved in mass producing the many types of flower that Rita has in her repertoire, and enshrined them in a series of porcelain fragments.
These abstracted individual elements are carefully arranged across the pan tiles of Wheal Martyn’s china clay drying shed - petals, leaves and mounds of discarded flowers, reminiscent of local sky-tips, can be seen as metaphors for the loss of skills and the need for safeguarding endangered craft practices for the future.
In ‘Taskscape’, Neil focusses attention on moments of china clay transformation coordinated by human hand, showing us processes seldom seen. Incidental elements, the flowing, bubbling, accumulation of materials and turquoise waters that occur in extracting, separating and settling the clay are framed aesthetically and offered up for poetic contemplation.
Neil’s work highlights the human ingenuity embedded within objects and practices that have shaped the identity of industrial regions such as St Austell and Stoke-on-Trent. He draws our attention to the relationships between human actions and the behaviours of raw materials as they are processed and refined to create china clay, and crafted into ceramic objects.
Neil says, “Whitegold offered me the opportunity to draw together interests in place and practices. I am very interested in industrial regions, the industry of China clay production in St Austell and ceramic production in North Staffordshire. For over two hundred years these industries have been intertwined and so I wanted to find a way of connecting them in my work”
Jo Moore, Curator of Wheal Martyn Clay Works says: “I’m really excited to see the site used in different ways. Neil’s installation is an extra-ordinary juxtaposition of the pure whiteness of the clay against the very mottled grey tiles of the old pan kiln. As the light changes the pieces are lit from the spaces where the liquid clay would have poured through from the settling tanks. It’s magical!”
Neil Brownsword’s work was selected for the 2019 Quartz Award by an experienced team of jurors as an outstanding proposal exploring clay in relationship with people, culture and place. This commission for Whitegold has been kindly supported by Imerys, Staffordshire University, Spode Museum Trust and Valentine Clays.