17th century teapots, 3d printed copies, x-rays of broken ceramics and digitally fabricated tapestries all feature in a new exhibition.
3D printed copy of broken ceramics. Image: Jenny Harper
This project focuses on North Staffordshire’s relationship with the copy from a number of perspectives; from a cultural perspective, technological perspective and social perspective.
Obsolescence and Renewal by Professor of Ceramics Neil Brownsword can be seen at the Brampton Museum as part of the British Ceramics Biennial which runs across four North Staffordshire venues until Sunday 5th November.
The exhibition draws on the lesser-known history of ceramics manufacture in Newcastle-under-Lyme back to the 17th century when the fashion for tea drinking was on the rise. It is also an examination of Chinoiserie – the imitation of Chinese styles and decoration – and using new and mechanical process such as 3d scanning and printing as a process of copying.
The exhibition features original examples of teapots, taken from the Brampton Museum’s collection, which imitate Chinese styles. Working with these originals, excavated ceramics and sabotaged pottery moulds, Neil has produced his own “copies” for the exhibition which celebrates Newcastle’s contribution to material and technological advances.
He said: “This project focuses on North Staffordshire’s relationship with the copy from a number of perspectives; from a cultural perspective, technological perspective and social perspective.
“We all know the key figures of industry – Wedgwood and Spode – but what this project hopes to shine a light on is the knowledge base that was here pre-industrial revolution which involved the formulation of technologies that were instrumental to the success of industry later.”
The exhibition’s beautiful large tapestries which were specially made in Flanders, using images digitally extracted from historic ceramics manufactured in North Staffordshire and decorated in the Chinese style.
Neil said he hopes the exhibition will reconnect people with important innovations that remain key to the cultural identity of North Staffordshire.
The British Ceramics Biennial has also commissioned Neil to create a series of limited edition ceramic tiles with renowned manufacturer Johnson Tiles which are available to purchase from the main BCB venue All Saints Church in Leek Road, Hanley. These explore the importance of cultural influence in shaping North Staffordshire’s ceramic tradition. All proceeds from the sales will support the BCB’s ongoing events programme.
The Brampton Museum is open Tuesday to Sunday. Professor Neil Brownsword will give an illustrated talk on his exhibition Obsolescence and Renewal at The Brampton on 28 October from 2pm – 3.15pm. Tickets are £5 and you can book here.
BCB is showing at All Saints Church, Air Space Gallery, The Potteries Museum and Art Gallery and The Brampton Museum until Sunday 5 November. For more details on talks and events, visit www.britishceramicsbiennial.com.